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Bury the Chains

Prophets and Rebels in the Fight to Free an Empire's Slaves

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1 of 1 copy available

From the author of King Leopold’s Ghost, a narrative history of the social justice campaign formed in the fight to free the slaves of the British Empire.

In early 1787, twelve men—a printer, a lawyer, a clergyman, and others united by their hatred of slavery—came together in a London printing shop and began the world's first grass-roots movement, battling for the rights of people on another continent. Masterfully stoking public opinion, the movement's leaders pioneered a variety of techniques that have been adopted by citizens' movements ever since, from consumer boycotts to wall posters and lapel buttons to celebrity endorsements. A deft chronicle of this groundbreaking antislavery crusade and its powerful enemies, Bury the Chains gives a little-celebrated human rights watershed its due.

A San Francisco Chronicle Bestseller

A Book Sense Selection

“By far the most readable and rounded account we have of British antislavery, a campaign that, as the author rightly claims, helped to change the world and can be seen as a prototype of the modern social justice movement.” —Robin Blackburn, Los Angeles Times Book Review 

“A thrilling, substantive, and oftentimes raw work of narrative history. In its own fashion, it furthers the abolitionists’ crucial work of lifting our moral blindness.” —Maureen Corrigan, National Public Radio’s Fresh Air
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    • Publisher's Weekly

      January 3, 2005
      "Men from England bought and sold me,/ Paid my price in paltry gold;/ But, though theirs they have enroll'd me,/ Minds are never to be sold." So went "The Negro's Complaint" by noted 18th-century poet William Cowper—written, says Hochschild, as an op-ed piece would be today, to spread the message of England's fledgling movement to abolish the slave trade. Hochschild, whose last book, King Leopold's Ghost,
      was a stunning account of the ravages perpetrated by Belgium on the Congo, turns to a more edifying but no less amazing tale: the rich, complex history of a movement that began with just 12 angry men meeting in a printer's shop in London in 1787 and, within a century, had led to the virtual disappearance of slavery.
      The men who met in James Phillips's print shop included Quakers, Evangelical Anglicans and a young Cambridge graduate who had had an epiphany about the evils of slavery while on the road to London. The last, Thomas Clarkson, became an indefatigable organizer, carrying out the first modern-style investigation into human rights abuses. Granville Sharp was an eccentric but socially respected man of progressive ideas who dreamed of founding a colony of free blacks in Africa. Within a short time these men and their colleagues had created a mass movement that included the first boycott, in which hundreds of thousands of Britons, chiefly women, refused to buy slave-made sugar from the Caribbean; petitions from all over the country flooded into Parliament; and a mass-produced drawing of a slaver's lower deck, showing where the slaves were densely crowded for the middle passage, became the first iconic image of human oppression.
      Hochschild tells of this campaign with verve, style and humor, but without preaching or moralizing, letting the horrific facts of slavery in the Caribbean (far more brutal than in the American South) speak for themselves. And he refuses to make saints out of the activists; while highlighting bravery in the face of death threats and physical violence by promoters of slavery, the author equally points out their foibles and failings, and the often ironic unintended consequences of their actions. Along the way, Hochschild illuminates how Britain's economy was dependent upon the slave trade, why England's civil society was particularly hospitable to a movement to abolish that trade, and the impact on the movement of the French Revolution and the particularly bloody slave uprising in French St. Domingue (today's Haiti). It's a brilliantly told tale, at once horrifying and pleasurable to read. 16 pages of b&w photos not seen by PW
      . Agent, Georges Borchardt.

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